EIBA R CASTILLO

Tumaco, Oct 6-1954

Born in Tumaco on the shores of the Pacific Ocean south of Colombia, where I grew up, in that wonderful black people was expressed my feelings by painting. He studied art at the Institute of Popular Culture in Cali Valle Colombia (1979 - 1984). Since 1988, this solo and some participate in other group but I had to suffer the suspension of my painting activity for the long period of fifteen years by limiting health effects.

Now I return to my work striving for continuity representative of the experiences, dreams and recollections deeply linked to my roots, the "Do's Black" as regards support - without prejudice ", which refers our social reality and genetics all vital capita in the integrity of being Latino. Being Black widens the cultural espetro. A drum dancers travel with the winds, the waves are in twitch to the beat of the marimba ancestral and cununo, while Black's heavenly hips, palms are mesen as crazy looking for the courtship blacks with blacks on the beach barefoot Caliente.

It's the magic or not, are the gods that the flood wave on Black folk expression - musical. This metaphorical adds value to their existence, and enhances the show solidarity, is idiosyncratic latent atavistic heritage in songs that accompany the act or action of laboratory work in their native environment extended to all spaces of our world.

This confession of Gauguin influenced his work over me: "You have to say I've never had the facilities are not mental fatigue than others around the brush. These off the train, Conj palette and a seen and unseen, create a solar effect. "

"I do not admire the picture, but I admire the man. He is safe, quiet. I, uncertain, restless. "

This brief outlines the holder as a present my work, detached from any evidence prejudiced in that case would affect the vision and conceptual critique of my present and later Expression.